Cwmni Theatr Invertigo Theatre Company Gwyl Pererindod (2021) My Body Welsh (2020, 2019, 2018, 2017) My People (2020, 2015) Derwen - Eisteddfod (2019) Derwen (2018) Wales China Festival (2018) Troelus a Chresyd (2017) Y Tŵr (2015) A Local Boy (2015) Miscellany (2014) Outside on the Street (2013) Takeover Hightide (2013) Saer Doliau (2013) Seven (2012) Freefall (2012) Menu
Gwyl Pererindod (2021) My Body Welsh (2020, 2019, 2018, 2017) My People (2020, 2015) Derwen - Eisteddfod (2019) Derwen (2018) Wales China Festival (2018) Troelus a Chresyd (2017) Y Tŵr (2015) A Local Boy (2015) Miscellany (2014) Outside on the Street (2013) Takeover Hightide (2013) Saer Doliau (2013) Seven (2012) Freefall (2012)
Seven

Seven new pieces (six short plays, one short film) created out of sin, with the wrath of time.

Curated by Invertigo Theatre Company, and produced by Tim Bowie.

Seven brings together 31 artists (15 actors, 6 writers, 6 directors, 2 musicians, a composer, and a video artist) to create 6 evocative new pieces of theatre teased out of them by the Seven Deadly Sins, forming a deliciously sinful night.

Commit to sin.

Commit to Seven.

The groupings of artists to form an ad-hoc convergence of writer, director, actors, sin and performance space was decided completely randomly by putting names into a pint glass and picking them out (think swingers night or sorting hat). No-one knew who they'd be working with, or what sin or space they'd be working on!

Each group then had just 9 days to write, create, rehearse, and perform a brand new 10-minute play.

29 November, 2012

7.30-10.00pm

The plays will be performed in the moody spaces of the candle-lit George Tavern (373 Commercial Road, E1 0LA) in the heart of London’s East End (five minutes walk from Shadwell station).

Chaucer, Pepys and Dickens wrote about the tavern as a half way house, but on Thursday 29 November it was more – it was a sinner's paradise.

The plays will begin at 8pm. There will be an interval of 20 minutes after the first three plays.

Due to the pop-up nature of the plays, feel free to move around the tavern and use the furniture as a viewing platform as the plays are going on.

Sloth will be playing in the Upstairs Room during the interval and after the plays have finished, until 10pm.

Prologue (James Clements)

Sinners -- Magdalena Petrovich, Karina Deyanova, Josh Mayes Cooper

Envy (Paloma Oakenfold)

Director -- Chloe Mashiter

Sinners -- Jack Baggs, Dan Maclane, Edward Killingback

Gluttony (Steffan Donnelly)

Director -- Aled Pedrick

Sinners -- Beatrice Walker, Jennifer Greenwood

Pride (Dafydd Llŷr Thomas)

Director -- Alice Malin

Sinners -- Helen Sorren, Ceri Wyn

Greed (Cal Courtney)

Director -- Susan Crothers

Sinners -- Josh Mayes Cooper, Sion Alun Davies, Jessica Hayles

Lust (Lauren O'Rourke)

Director -- Bethany Ann McDonald

Sinners -- Jherad Alleyne, James Musgrave

Wrath (Ben Norton Davies)

Director -- Billy Rayner

Sinners -- Danielle Munday, Isaac Ssebandeke

Sloth (Irene López, Steffan Donnelly)

Mexican-born video artist Irene López teams up with Steffan Donnelly to create a film capturing Sloth in its most frustrating guises. Sloth is showing on loop in the Upstairs Room as part of an installation involving Kevin Murphy. With thanks to Joel Tulley and Mikel Iriarte.

The Faerie Queen (extracts)
Edmund Spenser (1590)

... six unequall beasts,
on which her six sage Counsellours did ryde,
Taught to obay their bestiall beheasts,
Of which the first, that all the rest did guyde,
Was slugglish Idlenesse the nourse of sin ...

... And by his side rode loathsome Gluttony,
His belly was up-blowne with luxury,
And like a Crane his necke was long and fyne,
With which he swallowd up excessive feast,
For want whereof poore people oft did pyne ...

... And next to him rode lustfull Lechery,
with whally eyes (the signe of gelosy),
Who rough, and blacke, and filthy did appeare,
Yet he of Ladies oft was loued deare ...

... And greedy Auarice by him did ride,
Upon a Camell loaden all with gold;
Two iron coffers hong on either side,
With precious mettall full, as they might hold,
And in his lap an heape of coine he told,
For of his wicked pelfe his God he made,
And unto hell him selfe for money sold ...

... And next to him malicious Enuie rode,
Upon a ravenous wolfe, and still did chaw
Betweene his cankred teeth a venemous tode,
That all the poison ran about his chaw;
But inwardly he chawed his owne maw
At neighbours wealth, that made him euer sad;
For death it was, when any good he saw,
And wept, that cause of weeping none he had...

... And him beside rides fierce reuenging Wrath,
unmanly murder, and unthrifty scath,
Bitter despight, with rancours rusty knife,
And fretting griefe the enemy of life ...

... And after all, upon the wagon beam
Rode Sathan, with a smarting whip in hand,
So oft as Slowth still in the mire did stand.
A foggy mist had covered all the land:
And underneath their feet, all scattered lay
Dead sculls and bones of men, whose life had gone astray.